"...the mastery that is this film... connecting on virtually every level from the acting to the action to the story, the pacing, the music, the emotional resonance, the character development, the cinematography, the beginning, the ending...the friggin' everything! -- JoBlo.com
"...beautiful film that combines terrifying battle sequences with a deeply moving love story...The battle scenes are not only spectacular, they are also emotional." -- Paul Clinton, CNN
"Think whatever you like of Tom Cruise, but through his efforts and substantial influence in Hollywood, a blockbuster film centering on Japan's fascinating and long-enduring Bushido code has finally been made and made well." -- Mark Pollard, KungFuCinema.com
"This isn't going to be a happy movie. But it's not a maudlin one either. Critics will roll their eyes and call it 'Braveheart goes East.' Ignore these fools and enjoy one of the best films of the year!..the film transcends the standard Hollywood fare and really becomes a work of art." -- John Wateman, the Daily Misssissippian
"Wow. That was the first word that came out of my mouth as I aimlessly stumbled out of this motion picture, followed closely by, "Now, that's a movie!" -- JoBlo.com
"I couldn't help but roll my eyes and utter 'what you say? Tom Cruise in a samurai movie?' The movie is a simple story, but extremely engrossing. It has the appeal that comes from watching strangers get to know each other, and come to respect each other's ways. The movie is long, at 144 minutes, but none of it is wasted time. Expertly paced, and always watchable, 'The Last Samurai' has the kind of spectacle and character development that I seek at the movies." -- Sidekick Magazine
"The film is gorgeous to behold and even to listen to, from the rolling green hills to the galloping horses to the "Lohengrin"-like theme music on the sound track." -- Mick LaSalle, San Fransisco Chronicle
"Postmodern society has equipped us with a refined ability to preemptively dismiss everything as a contemptible sham...once you realize that there are only 36 possible movie plots, it's easy to snicker at any movie and call it hack or formulaic. Tom Cruise as the hero in a samurai movie? Line up on the left to pick up your tomatoes, on the right for sarcastic insults. Or if, perchance, for just a moment you can let down your fortified walls of ironic self-awareness, GO SEE THIS FREAKIN' MOVIE!" -- Alive in Kyoto (Japanese Blog)
"some will say this blockbuster's title should be 'Dances With Samurai', but the performances of the Japanese cast, and in particular Watanabe, pull more at the emotions than most." -- Henry Guerin, Entertainment
"Hiroyuki Sanada attests that he and his colleagues were equally impressed by Zwick's work and look forward to his interpretation of their country's history. 'He really knows this subject, we are truly amazed,' says the actor, who plays consummate warrior and Algren's potential nemesis Ujio. 'He appears captivated by the spirit of Bushido and this era, which is rarely depicted even in Japanese movies. He has a respectful but fresh perspective and I hope that this will be a new discovery for Japanese films.'"
"The Last Samurai is a remarkably faithful imitation of a Japanese samurai movie...The only thing setting it apart from a samurai drama that might run in Japan as a New Years' Eve television special is the fact that it stars Cruise." -- Jacob Adelman, San Fransisco Chronicle
"But, at the end of the day, TLS is about...and succeeds entirely on the strength of...two qualities: Truth and simplicity. What distinguishes The Last Samurai from many films of its ilk is...director Edward Zwick, who has constructed a political/war epic that manages to be both sweeping in size, yet intensely intimate in heart and substance...by refusing to convolute its narrative with unnecessary detail or baggage. The Last Samurai is almost sexy in its ease and grace...It does so with a smooth self-confidence that utterly immerses the viewer in the world so strikingly captured by John Toll's emmersive cinematography." -- FilmForce.com
"(Tom) Cruise becomes Nathan Algren more than he has ever inhabited a character before. The awakening of Algren's heart and soul, and his renewed belief in honor and courage, is beautifully realized by Cruise's performance." -- Paul Clinton, CNN
"In one of the more vivid scenes, the Samurai emerge out of mist...They're like monsters appearing out of the air...They're terrifying." -- Mick Lasalle, San Fransisco Chronicle
"An epic adventure of vast proportions, a spectacle marvelous to behold. Flawlessly directed...it is a transfixing, majestic experience." -- Gene Shalit, The Today Show
"On the surface, The Last Samurai is your typical, formulaic period piece set in an exotic land and told from a Westerner's perspective. Yet sandwiched among the layers of melodrama and heroics lies the rudiments of Zen thought as application to swordplay and life. Add to this strong performances from leading Japanese stars Ken Watanabe and Hiroyuki Sanada, premiere historical combat choreography from Nick Powell, and exquisitely detailed production standards and you have a rousing and enjoyable adventure film that overcomes minor flaws." -- KungFuCinema.com
"One real interesting performance is Hiroyuki Sanada, who plays 'Ujio'. Sanada would probably be thought of as the Tom Cruise of Japan right now. He's a huge star, and he agreed to play that part in support of Ken. He's a very knowledgeable, loving, generous man..." -- Ed Zwick (Director, the Last Samurai)
"The Last Samurai is an emotional sweeping saga with epic storytelling, grand themes and characters, and powerfully choreographed action scenes that leave audiences cheering." -- Joyce Kulhawik, Hot Ticket
"It would be easy to tag this film as Tom Cruise's own Dances With Wolves -- but to do that would be a disservice to The Last Samurai. Where Dances With Wolves had it's strength in the ... oh, who am I kidding here? I know that everyone and their brother's cousin adored Dances With Wolves, but I've always seen it as overlong, boring and way too self-aware. While comparisions might be made situationally between Cruise's Algren and Kevin Costner's Dunbar, the ideas in The Last Samurai stretch beyond the self-discovery of one displaced officer to encompass notions of honor and respect without coming off as a sermon delivered from Mount Hollywood. Will this film make you want to be a samurai? Most likely." -- Jive Magazine
"...adrenaline-charged, blood-pumping spectacular action scenes which leave you punching the air with excitement (the ninja assassination set-piece, to use a technical term, absolutely rocks)." -- Nev Pierce, BBCi Films
"The Last Samurai is definitely buoyed by its sub-themes, which include old culture threatened by the new and progressive men versus old-fashioned Imperialists. This is a solid entertainment with great fight sequences that's emotionally engaging. You definitely get involved in rooting for Captain Algren in his journey to gain nobility and find his soul." -- BBCworld.com
"The Last Samurai is definitely worth seeing. It's highly entertaining with great acting, effective storyline, and emotionally captivating. Not to mention some nice comedies that break the atmosphere. Go enjoy it yourself." -- Donny Truong, VisualGUI.com
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